Hymn of the Week- Leaning On The Everlasting Arms

A couple of years ago we watched the excellent movie "United 93". The movie takes place on September 11, 2001, and it's director tried to stay as completely faithful to the events regarding that flight as possible, down to the exact words of the various passengers, as recorded or recollected by their relatives. As you may remember, United flight 93 was the airliner on which the passengers chose to attack the terrorists who had hijacked the plane, resulting in it crashing in a field in Pennsylvania rather than into Washington, D.C.

One of the most memorable scenes in the movie involved a very young woman calling home on her cell phone. She had just comprehended that the plane was destined to crash, one way or another, and that she was facing certain death. At her parent's home, her stepmother answered the phone. The young woman, in a panicked voice, explained to her stepmother the circumstances she was in. The older woman had already seen news coverage of the other three planes crashing, and quickly understood the situation. She drew a deep breath, and, in the calmest of voices, began to guide the younger woman through her final moments. They expressed their love for each other. Then, the stepmother, seeking to calm the panicked girl, said something like,"I have my arms around you. Do you feel them?" With that, the demeanor of the younger woman changed. She relaxed. "Yes, I feel them," she replied.

Ever since then, that scene has come to mind when we use the hymn "Leaning On The Everlasting Arms" in a worship service. When the refrain lyrics were written by A.J. Showalter in 1887, he was inspired by Deuteronomy 33:26-27: "There is none like the God of Jerusalem- he descends from the heavens in majestic splendor to help you. The eternal God is your Refuge, and underneath are the everlasting arms." Showalter had just received word from two different friends on the same day, that their young wives had died. In writing his condolences, he had added this verse in his notes to them.

Showalter then wrote to another friend, Elisha Hoffman. Hoffman was an Evangelical Presbyterian pastor in the Cincinnati area, and associated with that denomination's publishing house. Showalter suggested that Hoffman compose a hymn based on his suggestions about this verse. Though both of these men would be considered amateur hymn writers, between them they wrote what has become a favorite standard hymn. (Hoffman also wrote another popular hymn, "I Must Tell Jesus".)

Though the tune is rousing and joyous, the reassuring message that was illustrated by the scene in "United 93" is there. Believers can "rest" in the finished work of Jesus Christ on their behalf. In times of struggle, we can relax into the everlasting arms of our Lord.

What a fellowship, what a joy divine,
Leaning on the everlasting arms;
What a blessedness, what a peace is mine,
Leaning on the everlasting arms.

refrain:

Leaning, leaning,
Safe and secure from all alarms;
Leaning, leaning,
Leaning on the everlasting arms.

O, how sweet to walk in this pilgrim way,
Leaning on the everlasting arms;
O, how bright the path grows from day to day,
Leaning on the everlasting arms.
(refrain)

What have I to dread, what have I to fear,
Leaning on the everlasting arms?
I have blessed peace with my Lord so near,
Leaning on the everlasting arms.
(refrain)

Elisha Albright Hoffman (1839-1929)

An Older Chapter in the "Worship Wars"

"I Sing the Mighty Power of God"
"O God, Our Help in Ages Past"
"Joy to the World, The Lord Has Come"
"Alas, And Did My Saviour Bleed"
"When I Survey the Wondrous Cross"
"At the Cross"
"We're Marching to Zion"

What do all these wonderful old traditional hymns have in common? They are all written by an eighteenth century English pastor named Isaac Watts. This is but a very abbreviated list. If you have any familiarity with traditional hymnody, you would recognize dozens of his contributions to the world of Christian worship!

Though we think of these hymns as traditional, or tried and true, songs of the church, it might surprise you to know that Watts was a cutting-edge, and much maligned, creator of contemporary worship in his day and time. Here is a short biographical video produced by Mars Hill Church of Seattle, that gives you a sense of his role in the history of Christian music.

Hymn of the Week- "Lo, He Comes With Clouds Descending"

I've always loved to study music history; it was one of my favorite classes at the University of Illinois, where I got my degree in Music Education.

I also love to study the sources of the music we use in church, both old and new, and find out a little about what specifically inspired the composers and lyricists in each case.

I thought it might be interesting to post about music that will be used in an upcoming service, so that those attending will perhaps enjoy the piece more. If you are reading this from a distance, maybe you'll also find some of this background interesting. Even if you're not a church attender, it can be fascinating to have a peek into the historical roots of some of our most influential musicians and poets, and perhaps gain insight into what Christians are reflecting on, whether you agree with it or not. This research is really for my own benefit, but I'll just put it out there anyway. I can't promise that I'll post something weekly, but I'm going to shoot for that as a goal.

This Sunday, the topic of the sermon is The Second Coming of Christ, as it is described in Luke's Gospel, chapter 17, verses 20-37. It's a subject that is endlessly debated, and I have no intention of going into the theology of it here. However, I, and the planning committee I meet with, was responsible for coming up with the music for the service that would support that sermon.

One hymn the congregation will sing is "Lo, He Comes With Clouds Descending". Though it's words are attributed to the great hymn writer Charles Wesley, it was actually based on a poem written by an eighteenth century land surveyor from Reading, England, named John Cennick. He eventually became a Moravian preacher. However, Wesley and two others, Martin Madan and a London cobbler named Thomas Olivers, adapted it for use in the Methodist movement.

Don't you love that? A surveyor, a cobbler, and one of the most famous hymn writers of that time, all contributing to this hymn! It's great poetry, too, based primarily on the first chapter of Revelation.

Lo! He comes with clouds descending,
Once for favored sinners slain;
Thousand, thousand saints attending
Swell the triumph of His train;
Halleluiah! Halleluiah!
God appears on earth to reign.

Every eye shall now behold Him,
Robed in dreadful majesty;
Those who set at naught and sold Him,
Pierced and nailed Him to the tree,
Deeply wailing, deeply wailing
Shall the true Messiah see.

The dear tokens of His passion
Still His dazzling body bears;
Cause of endless exultation
To His ransomed worshippers;
With what rapture, with what rapture,
Gaze we on those glorious scars!

Yea, Amen! Let all adore Thee,
High on Thy eternal throne;
Savior, take the power and glory,
Claim the kingdom for Thine own;
Halleluiah! Halleluiah!
Everlasting God come down!